William and Anna Jane Schlossman Gallery
This is Not a Still Life explores the multiple dimensions of Moorhead (MN)-based artist Mike Marth’s artwork and its remarkable evolution. Exhibiting a mastery of materials, Marth’s work is often formal in nature, emphasizing its inherent qualities of form, style, symbolism, and texture. In 2000 Plains Art Museum exhibited a solo exhibition of Marth’s work titled A Decade of Still Life featuring his early work. This work consisted of painterly and sculptural pieces deconstructing the tradition of still life painting. Since then, Marth’s work has progressed in a variety of directions – often transforming industrial and organic material into surprising inventions and wide-ranging forms.
A tireless and prolific creator, Marth made the Fargo-Moorhead community his home in 1996. Marth has taught classes at Concordia, MSUM, and NDSU. Mike Marth received his BFA in Printmaking at Northwest Missouri State University, and his MFA in Painting from Southern Illinois State University at Carbondale in 1991. His work has been exhibited throughout the nation and is included in many public, corporate, and private collections including The Federal Reserve Bank of Minneapolis; North Dakota Museum of Art, Grand Forks; Microsoft; Blue Cross Blue Shield of North Dakota; Southern Illinois State University; Plains Art Museum, Fargo; Rourke Art Museum, Moorhead; and Hotel Donaldson, Fargo. An exhibition catalog accompanies the exhibition thanks to support from Forum Communications Company.
Mike Marth: Conversation with the Artist
Thursday, June 21, 6:30 – 7:30 PM
This is Not a Still Life explores the multiple dimensions of Moorhead (MN)-based artist Mike Marth’s artwork and its remarkable evolution. Exhibiting a mastery of materials, Marth’s work is often formal in nature, emphasizing its inherent qualities of form, style, symbolism, and texture.View Exhibition
Flatlander: Belonging to The Land is a series by artist John Hitchcock that views and comments on the Great Plains as the epicenter for Plains tribal culture. In the series, Hitchcock utilizes drawing and printmaking processes to convey and layer thoughts about removal, displacement, and belonging.View Exhibition
Protectors, a screenprint installation by artist John Hitchcock, uses multiple screenprinted images of bison skulls mounted on a background of Naugahyde pelts. The pelt forms suggest landmasses, and each element connects to the environment through form, placement, and symbol.View Exhibition
Curated by Dr. Craig Howe from the Center for American Indian Research and Native Studies (CAIRNS) in Martin, South Dakota, Lakota Emergence focuses entirely on the Lakota emergence narrative as recorded in “How the Lakota Came Upon the World,” published in 1917. The place of Lakota emergence is centered at Wind Cave in what is now known as the Black Hills in South Dakota.View Exhibition
If one looks closely and listens carefully, works of art can ask important questions that elicit understanding of our world. For example, what societal factors influence how an artist depicts another person?View Exhibition