Current Exhibitions
Art on the Plains XI
Art on the Plains is the Plains Art Museum’s signature juried exhibition for contemporary art in the region. Now in its eleventh year, AOP has become an important career builder for emerging artists and a point of pride among more established professional artists. The exhibition is known for presenting the latest trends in art of [...]
Witness to Life: A Photo Journal of Hospice Care
Plains Art Museum, in partnership with Hospice of the Red River Valley, presents the exhibition Witness to Life: A Photo Journal of Hospice Care October 14 – February 5 in the Xcel Energy and Serkland Law Galleries. Witness to Life features the work of three photographers affiliated with the Minnesota State University Moorhead (MSUM) documentary photography department [...]
Birch Bark, Clay, Pixels, Paint: New Work in the Museum Collection
See an overview of new art works that have become part of Plains Art Museum’s permanent collection over the past four years in this new exhibition. Since 2007, hundreds of works of art have been donated to the Museum, and several new pieces have been acquired through Museum purchases or commissions. Become acquainted with a [...]
The North Dakota Mural
The landscape in North Dakota is the sky—the stars at night, the clouds in the daytime. At night I thought about the stars and light-years and the speed of light and everything that was sort of inexplicable. — James Rosenquist, Painting Below Zero: Notes on a Life in Art With the installation of The North [...]
International Harvester Photographs
The exhibited photographs lead viewers through the progression of the building from its time-worn state when it was acquired in 1994 to its current condition. The exhibit features photographs of the building as the International Harverster warehouse, during renovation, and as Plains Art Museum. The building now combines elements of the original warehouse and a modern museum.
Island Park Ramp Installation – MARIA FRIBERG: ATLANTER
Maria Friberg allegorizes the conventions and conditions surrounding masculinity and its multiple relationships to the myth of power. Friberg’s leitmotiv is the male image and the modern business suit. Her art uses video and photography to capture the nuances of masculine performance and to express the often-elusive vagaries of social conditioning. Her method is subtle, her messages poetic. Friberg’s work opens our awareness to the many possibilities of representing masculinity.
