Archive for the ‘Exhibitions’ Category
As an exploration of Andy Warhol’s appropriation of Native American cultural figures, Plains Art Museum asked photographer Joseph Allen to create a set of images in response to Warhol’s print series Cowboys and Indians. Allen will discuss his work in a public talk at the Museum on Thursday at 7 PM. In the two images, Allen challenges the viewer to question perceptions of the Native American as portrayed in art and commerce. While Warhol’s images attempt to examine such figures through the lens of pop culture, stripped of their original social significance, Allen attempts to bring the issue full circle and raise awareness of how such appropriation affects our understanding of Native American culture and history.
WHO: Joseph Allen
WHAT: “When Pop Goes Your Culture: Joseph Allen Talks Back to Andy Warhol”
WHEN: Thursday, April 18 at 7 PM
WHERE: Plains Art Museum
COST: Free and open to the public
Joseph J. Allen (Lakota/Ojibwe) currently lives on the White Earth Ojibwe Reservation in northern Minnesota and has been exhibiting his art for 18 years. His photographs are in the collections of the Weisman Art Museum, the Minnesota Historical Society and the Shakopee Mdewakanton Sioux Community archives. His work has also appeared in the books Beloved Child and Minnesota in Our Time: A Photographic Portrait. Joe has won awards for his work, including a “best photo spread” honor by the Native American Journalists Association (NAJA) in 1998. He also won a McKnight Photography Fellowship in 1993.
Elizabeth Armstrong, Curator of Contemporary Art / Director of the Center for Alternative Museum Practice (CAMP) at the Minneapolis Institute of Art (MIA) will discuss “Warhol’s Icons: The Artist’s Search for Reality” on Thursday, April 11 from 7 – 9 PM at MSUM King Hall, Room 110.
For Andy Warhol, wandering the aisles of a supermarket was a voyage in reality far more exciting than looking at contemporary art. Today, as viewers of “The Colbert Report” know, we are living in an age of “truthiness,” in which the relationship between reality and fiction has never been murkier. When did we begin to notice that replicas or artifacts of things were more exciting than the actual things they represented? How did it happen that more people now tune in to fake news shows to get their real news?
Curator Elizabeth Armstrong will explore our shifting experience and understanding of reality through the brilliant artifice of Andy Warhol and the lens of international artists working today. Drawing from her MIA exhibition More Real? Art in the Age of Truthiness, Armstrong will explore notions of simulation, truthiness, deception, play, and how artists (and she includes Stephen Colbert in this category), help us navigate the growing slippage in our culture between reality and make believe. This project is supported in part by the MSUM Department of Art & Design Colloquium Lecture Series.
WHO: Elizabeth Armstrong, Curator of Contemporary Art / Director of CAMP at MIA
WHAT: “Warhol’s Icons: The Artist’s Search for Reality”
WHEN: Thursday, April 11 from 7 – 9 PM
WHERE: MSUM King Hall, Room 110
COST: Free and open to the public
The Museum was filled with enthusiastic youth artists this past Sunday as the Plains Art Museum celebrated the 11th annual School Spirit: Celebrating Youth Art Month Reception, exhibiting works from approximately 350 regional K-12 student artists. With approximately 750 people attending the reception, guests enjoyed viewing the art, listening to the fabulous F-M Youth Symphony Orchestra, and browsing the Museum’s exhibitions.
Jackson, a student at Kennedy Elementary, is a very proud exhibitor and was extremely excited to see his artwork in the Museum, according to Sandy Ben-Haim, Plains Art Museum Director of Education. The School Spirit Reception was his second time at the Museum with his mom to view his art, as he visited in early March for Kids Quest.
Youth Art Month is celebrated for the month of March and the Museum will display the student artist’s work through the end of the month. Stop in to see the creativity of these young artists and to visit the rest of the Museum exhibits!
Written by Savanna, Communications Intern
Plains Art Museum has been named a finalist for a grant from ArtPlace, an initiative to accelerate creative placemaking across the United States through grants and loans, research, communication, and advocacy. The Museum was selected as one of 105 finalists, representing the best of the 1,225 letters of inquiry from across the country. Finalists were chosen for their potential to transform communities through placing art and culture at the heart of portfolios of integrated strategies that drive vibrancy and diversity.
“It is a huge honor to be a finalist for this prestigious national grant,” said Colleen Sheehy, Plains Art Museum Director and CEO. “We have been working on these public art projects for Fargo-Moorhead for several years, and an ArtPlace grant would help us to bring these to fruition. Our communities want more public art.”
The Museum’s grant proposal aims to increase the vibrancy of the urban cores of downtown Fargo and neighboring Moorhead by fulfilling three artist-led initiatives in Plains Art Museum’s program, Defiant Gardens for Fargo-Moorhead. The project was inspired by landscape historian Kenneth Helphand’s book, “Defiant Gardens: Making Gardens in Wartime” (2006) and applies his concept of “defiant gardens” as a productive model for place-making by artists to build vibrancy and social engagement into urban spaces. Projects include:
- Defiant Garden for the Moorhead Power Plant
- The Moorhead City Council, Moorhead Public Service Commission, and citizens have been grappling for five years about the redevelopment of the Power Plant building and site. The Defiant Garden for that site will bring people to a new garden in an area that has been off-limits because of its industrial nature and will create an amenity. Rob Fischer and Kevin Johson are serving as the artists for the Power Plant.
- Pollinator Garden for Plains Art Museum
- The Pollinator Garden will be created with K-12 school students and be tied to 4-H and science classes. The Museum site, which is surrounded by building, streets, and parking lots, will incorporate a lively green space and learning laboratory, where people in the neighborhood can convene and enjoy the outdoors. Christine Bauemler is serving as the lead artist for the Pollinator Garden.
- Fern Grotto for Fargo
- The Fern Grotto will bring people to a new amenity – a small greenhouse on the main retail street of downtown and be a pleasant respite during North Dakota’s long winters. There is currently no indoor green space in Fargo, like a conservatory, accessible to the public. Mark Dion, in collaboration with architect Regin Schwaen, is servings as the lead artist for the Fern Grotto.
This year’s grant recipients will be announced in May. To date, ArtPlace has distributed $26.9 million to 76 organizations in 46 communities across the country. ArtPlace is a collaboration of 13 leading national and regional foundations and six of the nation’s largest banks. Participating foundations include Bloomberg Philanthropies, The Ford Foundation, The James Irvine Foundation, The John S. and James L. Knight Foundation, The Kresge Foundation, The McKnight Foundation, The Andrew W. Mellon Foundation, The William Penn Foundation, The Rockefeller Foundation, Rasmuson Foundation, The Surdna Foundation and two anonymous donors. ArtPlace also seeks advice and counsel from close working relationships with various federal agencies, including the National Endowment for the Arts, the departments of Housing and Urban Development, Health and Human Services, Agriculture, Education, and Transportation, along with leadership from the White House Office of Management and Budget and the Domestic Policy Council. ArtPlace is also supported by a $12 million loan fund capitalized by six major financial institutions and managed by the Nonprofit Finance Fund. Participating institutions are Bank of America, Citi, Deutsche Bank, Chase, MetLife and Morgan Stanley.
Planning on heading downtown for the Fargo Street Fair? On Friday, July 20 and Saturday, July 21 local artist Jon Offutt will be taking his mobile glass blowing studio to the front of the Museum. Starting at 11 AM, he will be holding hourly demonstrations on glass-blowing and you can experience how he makes his unique pieces (last demo begins at 4 PM).
Stop in to the museum for free admission on Friday and Saturday, and to see more of Offutt’s work, including his installation Dakota Horizons. Additionally, Offutt will have some of his finished pieces on sale in The Store. Located inside the Museum, The Store also has a variety of jewelry, purses, books, toys, and unique crafts available for purchase.
Yesterday, after two weeks with the Architecture for the Birds exhibition by NDSU architecture students, our atrium again became temporary home to some small-scale architectural wonders. Fifty Popsicle stick towers–created by second-year ALA students in NDSU’s architecture department, will be on display through April 10.
This short exhibition is the result of a unique challenge given to these studetns each year: constructing a tower entirely from Popsicle sticks that is equal to their own height. The results are meant to teach the students to mimic the balancing act that goes into the creation of a skyscraper, learning a valuable lesson in design and construction in the process. For the rest of us, the towers are a welcome bit of eye candy for the Atrium.
Birdhouses of a slightly different feather will be on display in the Museum atrium through April 1. The houses, created by architecture students at North Dakota State University, are part of an annual project called “Architecture for the Birds.” Students randomly choose a Pritzker-Prize winning architect and a species of bird or bat, then set to work on creating a work in the style of that architect that will suit that particular species. The resulting works offer a glimpse into the design and build process vital to the development of a budding architect–plus, they’re a lot of fun to look at. Stop in for a birds-eye view.
This project is overseen by Joan Vorderbruggen, assistant professor of architecture at NDSU.
Last November, Congress voted for a bill that allowed two tablespoons of processed tomato paste on pizzas to be counted as a vegetable. The decision not only flew in the face of common sense, it also undermined efforts to create more nutritious school lunches, a move that could reduce childhood obesity and future healthcare costs.
Lori Larusso’s installation Pizza is a Vegetable is the newest in our ongoing Art = Food installation series comprised of site-specific works created for Cafe Muse. With her work, Larusso calls into question the various forces that contribute to a modern food culture that would allow pizza to be designated a vegetable, one that leans toward hypercapitalist interests and focuses less on our common health. Utilizing food imagery that calls to mind Michael Pollan’s concept of “pastoral fantasy,” Larusso points out the contradictions and complexities embedded in our food culture and illustrates how our expectation of fresh and healthy food is often exploited—primarily through advertising—to benefit the gargantuan food industry.
Lori Larusso currently holds the James Rosenquist Artist Residency at North Dakota State University. She was born in Massillon, Ohio, and graduated from the University of Cincinnati’s College of Design, Architecture, Art and Planning with a Bachelor’s in Fine Arts and a minor in Women’s Studies. She earned an Master’s degree in Fine Arts from the Maryland Institute College of Art’s graduate interdisciplinary program, the Mount Royal School of Art. Lori has worked in the community as an advocate and has also maintained a solid studio practice, continuing to show her artworks regionally, nationally and internationally.
Pizza is a Vegetable will hang in Cafe Muse through May.
On Friday evening, we had a capacity crowd for Michael J. Strand’s talk “The Space Between: Art and Humanity.” Despite a shortage of seating and some technical difficulties, Michael delivered a memorable talk highlighting his approach to socially engaged projects and expressing the delight in the stories and lives he has been able to share through those projects.
The evening also served as a kickoff for Michael’s newest endeavor, The Misfit Cup Liberation Project, which asked participants to bring in little-used “misfit” cups and trade them in for a cup hand-thrown by Michael, but only if participants left the cup’s story along with the cup. Everyone was intrigued and delighted by the process, and the stories provided with the cups documented a wide array of emotions, from humor to bittersweet loss.
Click the thumbnails to embiggen.
Brittany Greenwood, a graduate student in architecture and a member of artist Michael Strand’s Engage U group, installs “orphanages” for the Misfit Cup Liberation Project, an ongoing project by Strand. Strand will put a hand-fired cup in each of the wooden “orphanages.” The public is welcome to bring in their own misfit cup and exchange it for one of Michael’s, provided they also leave a short story about their own cup. Michael will be speaking about this and his other recent projects in a talk at the Museum on Friday night.