The Ruth and Seymour Landfield Atrium
Protectors, a screenprint installation by artist John Hitchcock, uses multiple screenprinted images of bison skulls mounted on a background of Naugahyde pelts. The pelt forms suggest landmasses, and each element connects to the environment through form, placement, and symbol.
Inspired by the long history of social and political commentary within the discipline of printmaking, Madison-based printmaker John Hitchcock uses the print medium to explore relationships of community, land, and culture. Hitchcock’s works on paper and multimedia installations draw upon his Comanche/Kiowa and Northern European heritage and consist of prints and moving image that mediates the trauma of war and the fragility of life. Images of U.S. military weaponry are combined with mythological hybrid creatures from the Wichita Mountains of western Oklahoma to explore notions of assimilation and control.
Community artist and school art teacher MeLissa Kossick, who guides youth classes at the Museum on art, gardens, and pollinators, has created an enchanting mosaic design in the Creativity Pathway in the Serkland Gallery called Bee in Flight.View Exhibition
Drawing on his childhood memories of the Great Plains, he created a work that speaks to the wide open spaces, huge vistas, and ocean-like skies of the region.View Exhibition
While the Tallgrass Prairie is a community made up of a great diversity of species, Fragile Preservation represents a selection of them.View Exhibition