A multi-year project in creation that will result in a two-gallery exhibition and several programs, High Visibility: On Location in Rural America and Indian Country is diverse in content and media. Visitors will engage with installations, performance works, interdisciplinary work, alongside traditional 2 and 3-dimensional pieces.

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While I’m not originally from North Dakota, it is where I became an artist. It was here that I fell in love with long drives on roads that paralleled railroad tracks and with the view of seemingly endless fields surrounding me. This landscape carried the narratives of lives and moments that are now long past, and I began to seek out the fragments of these histories by exploring abandoned houses.

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Plains Art Museum is pleased to announce To See What I Could See: An Examination of Contemporary Printmaking from our permanent collection. The prints in this exhibition relate and connect to one another through the avenues of formalism, collaboration, narration, and process.

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In the United States during the late 19th century and into the 20th century, there was a common narrative of the “Vanishing Indian”.

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To say that right now is the ideal time to make art that speaks directly to the people about social justice is an understatement. Because the very nature of art is to undertake or assume the role of a healer by shading light on the human condition.

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