An Emergent Belonging was created by Concordia College students Ashley Raduns, Katelyn Mitchell, Helena Langr, Elizabeth Vought, Ruth Peterson, and Chelsea Steffes. The work inspired by the form and function of a bird’s nest, was created under the leadership of professor Dwight Mickelson. About the creative process Mickelson states, “…we found that as a group we shared a lot in common. We all enjoy working with organic materials and bold colors, creating somewhat whimsical forms inspired by concepts such as home, nostalgia, and belonging.”
The S.P.A.C.E. (Sculpture Pad Art Collaborative Experiment) project is a public art initiative undertaken collaboratively between Plains Art Museum, and the college art departments at North Dakota State University, Minnesota State University Moorhead, and Concordia College. Sculptures are chosen thanks to a public vote of Museum visitors and campus students, with the resulting artworks on display at the Museum for two years.
This is Not a Still Life explores the multiple dimensions of Moorhead (MN)-based artist Mike Marth’s artwork and its remarkable evolution. Exhibiting a mastery of materials, Marth’s work is often formal in nature, emphasizing its inherent qualities of form, style, symbolism, and texture.View Exhibition
Flatlander: Belonging to The Land is a series by artist John Hitchcock that views and comments on the Great Plains as the epicenter for Plains tribal culture. In the series, Hitchcock utilizes drawing and printmaking processes to convey and layer thoughts about removal, displacement, and belonging.View Exhibition
Protectors, a screenprint installation by artist John Hitchcock, uses multiple screenprinted images of bison skulls mounted on a background of Naugahyde pelts. The pelt forms suggest landmasses, and each element connects to the environment through form, placement, and symbol.View Exhibition
Curated by Dr. Craig Howe from the Center for American Indian Research and Native Studies (CAIRNS) in Martin, South Dakota, Lakota Emergence focuses entirely on the Lakota emergence narrative as recorded in “How the Lakota Came Upon the World,” published in 1917. The place of Lakota emergence is centered at Wind Cave in what is now known as the Black Hills in South Dakota.View Exhibition
If one looks closely and listens carefully, works of art can ask important questions that elicit understanding of our world. For example, what societal factors influence how an artist depicts another person?View Exhibition