Women Artists

Four Centuries of Creativity

November 1, 2025 - March 1, 2026

Jane L. Stern Gallery

This exhibition represents four centuries of art created by remarkable women who struggled against gender bias to take their places in history. Until the twentieth century, women were frequently denied formal training and often had difficulty showing and selling their work. Artwork created by women was automatically deemed inferior, and stereotypes traditionally associated women with crafts, such as textiles or decorative arts, rather than what was deemed to be “fine art.” Even women who possessed undeniable talents were said to have overcome the limitations of their gender in order to succeed in a man’s field. It was not until the equal rights and feminist movements of the 1960s that women were finally free to study, teach, and explore art throughout the United States and Europe.

This fascinating exhibition examines works on paper—etchings, engravings, lithographs, drawings, watercolors, woodblock prints, and photographs—by some of the most important women artists of the last four centuries with a selection of 37 examples from the permanent collection of the Reading Public Museum. The show chronicles the emergence of women as professionals in the field of art and records the extraordinary creative contributions made over the centuries.   

Historical works by (or after) Elisabetta Sirani (Italian, 1638-1665) and Marie-Louise-Elisabeth Vigée-Lebrun (French, 1755-1842), outstanding nineteenth-century works by Rosa Bonheur (French, 1822-1899), Anna Lea Merritt (American, 1844-1930), and Eliza Greatorex (American, 1819-1897), and examples by icons of twentieth century art like Sonia Delaunay (French, 1885-1979), Käthe Kollwitz (German, 1867-1945), Louise Nevelson (1899-1988), and Françoise Gilot (French, b. 1921), are featured in the exhibition. Works Progress Administration (W.P.A.) era works by Clara Skinner (American, 1902-1976), Peggy Bacon (American, 1895-1987), and Isabel Bishop (American, 1902 – 1988) capture contemporary life on the streets of New York, theaters, and rural America. Works by more contemporary artists such as Lee Bontecou (American, b. 1931), Elizabeth Osborne (American, b. 1936), Ida Applebroog (American, b. 1929), and Lorna Simpson (b. 1960), among others, explore meaningful trends in the current world of art. The entire exhibition is on loan from the permanent collection of the Reading Public Museum in Reading, Pennsylvania, who organized the exhibition.   

Gallery admission is free every day of the week. Generous support provided by Art Bridges Foundation’s Access for All program; the North Dakota Council on the Arts, which receives funding from the state legislature and the National Endowment for the Arts; the Arts Partnership, with support from the Cities of Fargo, Moorhead and West Fargo; the McKnight Foundation; The FUNd at Plains Art Museum; Giving Hearts Day donors; Spring Gala sponsors; and hundreds of Plains Art Museum members like you.
top to bottom: Janet Elizabeth Turner (American, 1914 – 1988), Egg of the Flamingo, 1953, lithograph, Museum Purchase. Reading Public Museum, Reading, Pennsylvania • Clara Skinner (American, 1902 – 1976), Theatre No. 1, c. 1933 – 1934, woodblock print, Permanent Loan, U.S. Government, W.P.A. Federal Art Project. Reading Public Museum, Reading, Pennsylvania.

Opening Reception
Saturday, November 1, 6-8 PM, Free
Come celebrate the opening of Women Artists: Four Centuries of Creativity, featuring works from Sonia Delaunay, Käthe Kollwitz, Lorna Simpson, and many more phenomenal female artists.

Exhibition Tour
Thursday, November 13, 6-6:45 PM, Free
Learn more about the powerful women artists who shaped their centuries of artmaking with this guided tour, covering artworks from the 17th to 21st centuries.

Ongoing Exhibitions

Flight Without Fear

Ongoing
Flight Without Fear

Using acrylic paint on pasted paper, the mural Flight Without Fear explores the dangers of city windows, which kill over a billion birds each year in the U.S. alone. This window painting serves a dual purpose, both saving birds by disrupting the deadly reflections in the window and educating the public on the importance of bird-safe glass.

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Convergence:

Ongoing
Convergence:
Hope, Love, Resilience, Rest, Community

This installation was created specifically for the atrium at Plains Art Museum as part of the exhibition Convergence: Health & Creativity. Inspired by Labovitz’s research on the psychological benefits of art, this piece celebrates the connection between art and well-being.

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S.P.A.C.E. 2024-2026

Ongoing
S.P.A.C.E. 2024-2026

The S.P.A.C.E. (Sculpture Pad Art Collaborative Experiment) project is a public art initiative led by Plains Art Museum in collaboration with NDSU, MSUM, and Concordia College. Sculptures are displayed for two years.

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No Time For Despair

Ongoing
No Time For Despair

To say that right now is the ideal time to make art that speaks directly to the people about social justice is an understatement. Because the very nature of art is to undertake or assume the role of a healer by shading light on the human condition.

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Bee in Flight

Ongoing
Bee in Flight

Community artist and school art teacher MeLissa Kossick, who guides youth classes at the Museum on art, gardens, and pollinators, has created an enchanting mosaic design in the Creativity Pathway in the Serkland Gallery called Bee in Flight.

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