Join us as artists featured in Waasamoo-Beshizi come together for a night of conversation and poetry. Maggie Thompson, Denise Lajimodiere, Hillary Kempenich, Karen Goulet, and moderator Jessica Metcalfe will reflect on their careers, their influences, and themes in the exhibition.
Maggie Thompson (Ojibwe) received her BFA in Textile Design from the Rhode Island School of Design. Heid E. Erdrich (Turtle Mountain Band of Ojibwe) is an author, poet, and filmmaker, and teaches in the MFA Creative Writing program at Augsburg College. Hillary Kempenich is an artist and enrolled member of the Turtle Mountain Band of Chippewa Indians. Kempenich received the First Peoples Fund 2016 Artist in Business Grant and Fellowship Award. Dr. Denise Lajimodiere (Turtle Mountain Band of Ojibwe) is an award winning poet, birch bark biting artist and has been an educator for over 39 years. Karen Goulet received her BA in Fine Arts and Cultural Education from the Evergreen State College and MFA in Sculpture from the University of Wisconsin, Madison. She is the program director of Miikanan Gallery at the Watermark Art Center in Bemidji, Minnesota. Dr. Jessica R. Metcalfe (Turtle Mountain Chippewa) is a graduate of Dartmouth College and the University of Arizona. Her doctoral dissertation is of Native designers of high fashion, and is the owner of Beyond Buckskin.
Athena LaTocha (b. Anchorage, Alaska) is a Hunkpapa Lakota / Keweenaw Bay Ojibwe artist whose large-scale works on paper explore the tenuous relationship between natural landscapes and landscapes marked by human intervention . . .View Exhibition
The exhibition will showcase new ceramic works by Guillermo Guardia, created since he moved to the Twin Cities in 2017.View Exhibition
Exploring the ways in which senses alter experience and perception, emerging artist Liza Sylvestre’s work operates at the intersection of our senses and communication.View Exhibition
With rare exceptions, art objects are created to be experienced visually. The Other Four is an exhibition experience that negates the visually dominant art experience hierarchy by presenting artwork designed specifically to engage the other four senses.View Exhibition
Despite decades of critique, direct activism, and multiple waves of feminist art movements, artworks in the collections of art museums around the world – including Plains Art Museum – are proportionately dominated by men. This year’s permanent collection reinstallation will explore the Museum’s acquisitions of artwork by women since our inception as the Red River Art Center in 1965.View Exhibition