Join us for Fugitive Sound Experience, II, when cellist and professor of cello and double bass, Dr. Eduard Teregulov (Concordia College, Moorhead, MN) returns with three original works that were commissioned by Plains Art Museum’s Voices of Creative Change Initiative. Marking their world debut at Plains Art Museum, each of the three commissions are composed exclusively for the three Art Bridges loans—Glen Ligon, Untitled (I am Somebody), 1990), Kerry James Marshall, The Lost Boys AKA BB, 1993, and Alfred Conteh, Malik and Marquis, 2020—that orient and ground the exhibition, This is Not Black & White. The main goal of Fugitive Sound Experience is to advocate for and perform music by living composers from underrepresented groups. For Fugitive Sound Experience, II, we feature commissions by Mexican, Brazilian, and African American composers.
Meet the Composers: Alana Scott, Wagner De Oliveria Duarte, Aarón González
The Voices of Creative Change Initiative | Fugitive Laboratory for Ideas-Creativity (VCCI-FLIC) emerges as an essential component in the Plains Art Museum’s curatorial, educational, and administrative departments with the capacity to generate and manage dynamic and responsive programming. The initiative is made possible by endowment support from Arlette and Richard Preston.
Contact Dr. Kelvin Monroe at kmonroe@plainsart.org for any questions regarding VCCI-FLIC programs.
Generous support for this project provided by Art Bridges.
Clear as Mud brings together the work of Annie Lee-Zimerle and Brian Zimerle, two artists whose practices navigate memory, materiality, and the quiet complexities of everyday life to reconsider the promises and contradictions of the American Dream.
View ExhibitionThương Hoài Trần (she/they) is an interdisciplinary Vietnamese American artist whose immigrant experience informs their identity and creative practice.
View Exhibition