Join us for Fugitive Sound Experience, II, when cellist and professor of cello and double bass, Dr. Eduard Teregulov (Concordia College, Moorhead, MN) returns with three original works that were commissioned by Plains Art Museum’s Voices of Creative Change Initiative. Marking their world debut at Plains Art Museum, each of the three commissions are composed exclusively for the three Art Bridges loans—Glen Ligon, Untitled (I am Somebody), 1990), Kerry James Marshall, The Lost Boys AKA BB, 1993, and Alfred Conteh, Malik and Marquis, 2020—that orient and ground the exhibition, This is Not Black & White. The main goal of Fugitive Sound Experience is to advocate for and perform music by living composers from underrepresented groups. For Fugitive Sound Experience, II, we feature commissions by Mexican, Brazilian, and African American composers.
Meet the Composers: Alana Scott, Wagner De Oliveria Duarte, Aarón González
The Voices of Creative Change Initiative | Fugitive Laboratory for Ideas-Creativity (VCCI-FLIC) emerges as an essential component in the Plains Art Museum’s curatorial, educational, and administrative departments with the capacity to generate and manage dynamic and responsive programming. The initiative is made possible by endowment support from Arlette and Richard Preston.
Contact Dr. Kelvin Monroe at kmonroe@plainsart.org for any questions regarding VCCI-FLIC programs.
The Queer Ecology Hanky Project (QEHP) is an ongoing traveling exhibition organized by Vee Adams and Mary Tremonte that features over one hundred and twenty artists from across North America.
View ExhibitionDonald D. Powell, a Fargo native, was a prolific, award-winning architect and a keen art collector. Powell amassed a sizeable collection of European and American modern art in an array of media. He donated much of his impressive collection to the Plains Art Museum in several installments in 1999, 2000, 2002-3, 2005-9, and 2013.
View ExhibitionEmma Katka, a self-taught artist from Grand Forks, ND, seeks solace through emotive photography and collage. Her stomping grounds for creation are often abandoned buildings, the open prairie, old magazines, and wherever inspiration illuminates moments within daily life.
View Exhibition