Indigenous Art Fair

Floating Beauty examines historical perspectives on women and their depiction in art in Edo Period Japan (1615–1858). Made up entirely of woodblock prints created in the ukiyo-e style.

For more than five decades, Rimer Cardillo’s artwork has offered a powerful commentary on the intersection of politics, economics, and ecological degradation. Since the late 1970s, his practice has focused on the devastating impacts of human activity on the natural world, particularly the alarming decline in animal species and plant life.