Current Exhibitions

Brad Kahlhamer’s (b. 1956 Tucson, AZ) art lives at the crossroads of real and imaginary worlds. Born to Native parents and adopted by a German-American family, he was raised in Arizona and Wisconsin and spent his early adulthood as a musician living on the road before settling in New York City.

Inspired by Salvador Dali’s prints and the upcoming exhibition Salvador Dalí: Stairway to Heaven (on view December 19 – May 20 at Plains Art Museum), students and staff from participating universities will explore the theme “Interpretation of Dreams.”

Fueling Modernity presents a comparative examination of industrial landscapes through documentary photographs and mixed media artworks. Both exhibiting artists have resided in regions that have been reshaped in response to natural resource extraction—in Western Cape, South Africa and North Dakota.

(Un)common Threads features two adventurous printmakers’ work, both influenced by contemporary American culture, serigraphy, and the urge to break down barriers. With humor, imagination and exemplary skill, Katy Seals and John Charles Cox each create specific yet boundless worlds within their prints.

Athena LaTocha (b. Anchorage, Alaska) is a Hunkpapa Lakota/Keweenaw Bay Ojibwe artist, currently living in New York. Buffalo Prairie (Slow Burn) is monumental ink wash drawing created by Athena LaTocha during her residency inside the Katherine Kilbourne Burgum Center for Creativity at Plains Art Museum May 2-June 4, 2019.

With rare exceptions, art objects are created to be experienced visually. The Other Four is an exhibition experience that negates the visually dominant art experience hierarchy by presenting artwork designed specifically to engage the other four senses.

Despite decades of critique, direct activism, and multiple waves of feminist art movements, artworks in the collections of art museums around the world – including Plains Art Museum – are proportionately dominated by men. This year’s permanent collection reinstallation will explore the Museum’s acquisitions of artwork by women since our inception as the Red River Art Center in 1965.