Starion Bank Gallery
Fueling Modernity presents a comparative examination of industrial landscapes through documentary photographs and mixed media artworks. Both exhibiting artists have resided in regions that have been reshaped in response to natural resource extraction—in Western Cape, South Africa and North Dakota. Rather than advance a specific political message, images from both artists aim to interrogate the way in which energy production has introduced new forms into the landscape and transformed rural communities. Posed as a conversation, the exhibition identifies parallels and departures between the two regions and articulates a visual vocabulary of industrial impacts.
Jeannette Unite (b. 1964) earned an MFA from Michaelis School of Art in Cape Town and has exhibited her work throughout Africa, Europe, and North America. Throughout her career, Unite has collaborated with earth scientists and other researches, such as the Department of Earth Sciences, Oxford University and Oxford University Museum, and has exhibited work from these collaborations through the United Nations. Unite currently resides in Cape Town, South Africa.
Meghan Kirkwood (b. 1981) earned a BFA from Rhode Island School of Design in Photography before completing her MFA in Studio Art at Tulane University and PhD at the University of Florida. She has received numerous fellowships, including the National Parks Service, the Vermont Studio Center, and the Lakeside Lab (Iowa). Kirkwood’s photography has been exhibited throughout the United States, Europe, and South Africa. Kirkwood is a native New Englander, and currently lives in St. Louis, Missouri.
This installation was created specifically for the atrium at Plains Art Museum as part of the exhibition Convergence: Health & Creativity. Inspired by Labovitz’s research on the psychological benefits of art, this piece celebrates the connection between art and well-being.
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The S.P.A.C.E. (Sculpture Pad Art Collaborative Experiment) project is a public art initiative led by Plains Art Museum in collaboration with NDSU, MSUM, and Concordia College. Sculptures are displayed for two years.
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To say that right now is the ideal time to make art that speaks directly to the people about social justice is an understatement. Because the very nature of art is to undertake or assume the role of a healer by shading light on the human condition.
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Community artist and school art teacher MeLissa Kossick, who guides youth classes at the Museum on art, gardens, and pollinators, has created an enchanting mosaic design in the Creativity Pathway in the Serkland Gallery called Bee in Flight.
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While the Tallgrass Prairie is a community made up of a great diversity of species, Fragile Preservation represents a selection of them.
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