How Great I Am

Tim Kowalczyk

January 9, 2018 - March 3, 2018

Creativity Gallery

How Great I Am will feature a series of recent trompe l’oeil  (deceive the eye) ceramic works by artist in residence Tim Kowalczyk. This series of sculptures and cups is inspired by Muhammad Ali’s legendary, poetic trash-talking prior to his 1974 “Rumble in the Jungle” fight with George Foreman.

Since graduating with his MFA from Illinois State University in 2011, Kowalczyk has maintained an active studio practice from his home in Minonk, Illinois. He has taught at Illinois Community College, Kankakee Community College, and at University Illinois Springfield, and participates regularly in juried, group, invitational, and solo exhibitions throughout the United States.

Residency: February 12 – 16
During his residency week, Tim will share his unique ceramic process, working on sculptural work as well as his signature “cardboard” mugs. Kowalczyk will lead a two-night, hands-on workshop. Public demonstrations will be posted on plainsart.org.

Artist Talk: Thursday, February 15, 6 – 7 pm • Free

  • Tim Kowalczyk
  • Tim Kowalczyk, Handcuffed (handcuffs), 2014, Yixing, Dark Stoneware, Glaze, and Underglazes, 3 1⁄2 x 18 x 8 1⁄2 in.

Other Exhibitions

Mike Marth

June 21, 2018 - October 7, 2018
This is Not a Still Life

This is Not a Still Life explores the multiple dimensions of Moorhead (MN)-based artist Mike Marth’s artwork and its remarkable evolution. Exhibiting a mastery of materials, Marth’s work is often formal in nature, emphasizing its inherent qualities of form, style, symbolism, and texture.

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Flatlander

June 7, 2018 - September 15, 2018
Belonging to the Land 

Flatlander: Belonging to The Land is a series by artist John Hitchcock that views and comments on the Great Plains as the epicenter for Plains tribal culture. In the series, Hitchcock utilizes drawing and printmaking processes to convey and layer thoughts about removal, displacement, and belonging.

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John Hitchcock: Protectors

June 7, 2018 - September 15, 2018

Protectors, a screenprint installation by artist John Hitchcock, uses multiple screenprinted images of bison skulls mounted on a background of Naugahyde pelts. The pelt forms suggest landmasses, and each element connects to the environment through form, placement, and symbol.

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Lakota Emergence

May 31, 2018 - September 1, 2018

Curated by Dr. Craig Howe from the Center for American Indian Research and Native Studies (CAIRNS) in Martin, South Dakota, Lakota Emergence focuses entirely on the Lakota emergence narrative as recorded in “How the Lakota Came Upon the World,” published in 1917. The place of Lakota emergence is centered at Wind Cave in what is now known as the Black Hills in South Dakota.

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Now You See Me . . .

May 24, 2018 - March 23, 2019
Reflections on Portraits and Abstractions from the Collection

If one looks closely and listens carefully, works of art can ask important questions that elicit understanding of our world. For example, what societal factors influence how an artist depicts another person?

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